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HAWKE SAYS SUCCESS HURTS CELEB MARRIAGES
Ethan Hawke, whose split from Uma Thurman caused a tabloid frenzy, says being part of a celebrity couple can be hard on the ego. "It's not that they're jealous of each other, it's that the person you share your life with isn't in the mood to support," the 36-year-old actor tells AMC's Shootout in an interview slated to air tomorrow. "You want to have a pity party for yourself, but they're off to the Golden Globes and you don't want to go because everyone is going to think you are jealous." Hawke and Thurman were married in 1998. She filed for divorce in 2004. The couple has two children.
UNCLE KRACKER ARRESTED ON SEX OFFENCE
Uncle Kracker, a former disc jockey for Kid Rock, was arrested early yesterday on a second-degree sex offence charge, authorities said. A Raleigh, N.C., police spokesperson said a 26-year-old woman alleged that a man committed a sexual act against her at a downtown nightclub. The 33-year-old performer was arrested at a hotel in suburban Cary. He was being held at the Wake County Jail on a $5 million bond.
LOHAN'S FIGHTING PARENTS SETTLE DIVORCE
Lindsay Lohan's estranged parents settled their long-simmering divorce yesterday, winning praise from the judge who presided over their case. "You have both demonstrated to me extraordinarily good judgment in resolving this matter as you did," state Supreme Court Justice Robert A. Ross told Michael and Dina Lohan. Terms of the divorce agreement, which will become official within 60 days, weren't disclosed.
FIRST PIRATED SIMPSONS MOVIE TRACKED
The first known pirated copy of The Simpsons Movie to make it onto the Internet was tracked to a home raided by Australian police yesterday, authorities said. Police ordered a 21-year-old Sydney man to appear in court in October when he will be formally charged, the Australian Federal Police said. Details of the likely charge and penalties have not been made public. The illegal Simpsons copy was the first on the Internet and was recorded by a cellphone. It was illegally downloaded more than 110,00 times within 72 hours, officials said.
WINEHOUSE CANCELS AUGUST CONCERTS
Amy Winehouse has pulled the plug on her August concerts after being hospitalized last week for "severe exhaustion." Her spokesperson said the 23-year-old British soul singer was putting her touring commitments on hold "in order to address her health issues."
BOLLYWOOD STARS ANNOUNCE MUSICAL TOUR
Abhishek and Aishwarya Bachchan were mobbed by delirious fans at the downtown Royal York Hotel in Toronto yesterday where they were on hand to announce the Unforgettable Tour. The show is billed as bringing "the magic of Indian cinema to the world stage through performances by Bollywood's hottest superstars," and the newly married Bachchans will be front and centre. The show will premiere next summer in Toronto, Abhishek Bachchan told a news conference, since the city is home to so many passionate fans of Bollywood cinema. The show will also travel to Sydney, Cairo, London, New York, Los Angeles, Singapore and Hong Kong.
MIA Leaves Singing About Sex To Paris Hilton
Friday August 17, 2007 @ 05:00 PM
by:V.Bhaskar
| MIA at Lollapalooza |
| (Photo By Rachel Verbin) |
While speaking on the phone with MIA from London, England, where she's working on a mixtape for DJ Eli that she wants to call Threat To Homeland Security (her name was taken off the Homeland Security list four days before our interview), one quickly gets the impression that the outspoken queen of nu-world dance music isn't letting all the hype swirling around her and the upcoming Kala album go to her head.
"At this point no one can tell me what [kind of album] to make, I'm too opinionated," says MIA (a.k.a. Mathangi "Maya" Arulpragasam) kindly, but bluntly. "I also came out of nowhere so they don't even know what they want to tell me to do.
"This is what caused my Three 6 Mafia problems," she goes on to explain about working with the group on two tracks for Kala, neither of which made the cut. "When I went to work with them they were like, 'Right, you're a girl, we need you to sing about sex.'
"And I was like, 'Listen, I have some time to sing with you and I'm not going to sing about sex right now. You're going to have to get Paris Hilton for this one.'"
MIA travelled the world and worked with such producers as Timbaland, Switch, Diplo and Danja while making Kala, and she found being a female to be one of her biggest challenges.
"In India it was hard because I'm a woman. People would say, 'Uh� you're a girl, you can't tell us what to do.' But you had to work with that. I got used to it and I didn't have time to fight that battle. I had Dave [Switch] joined to my hip and I would have to tell him what to do, and then he would have to tell them.
"Also, while recording in these different places, in the back of my head I kept thinking, 'Oh, I've only got this much time before I have to get back to London to refresh my visa.' At the end of the day, it came down to that a lot of the time."
MIA's been plagued with visa issues ever since her 2005 debut came out. And Kala — a less political, but brilliantly catchy, Bollywood-tinged effort — was heavily influenced by the situations she found herself in. Being stranded without demos, computers, her art and even clothes on occasion, the new album had MIA starting from scratch and having fun, but never losing sight of who she was.
"I could have left where I am and be a superstar MC living in Beverly Hills in a giant house with Gwen Stefani, but I didn't 'cause I couldn't," she says proudly. "People try to get me to collaborate or do things, but sometimes I say no because I'm just not ready.
"I know they're doing it for my own good. They say, 'Why don't you want this? You'll be huge. Don't you want to chart?'
"But I don't give a shit about the charts. I will not be an artist dictated by the charts. They tell me I'm too gangsta, but this is me. I have to stick to what I am."
MIA will play Toronto's Virgin Festival on Sept. 8 and Montreal's Osheaga Music And Arts Festival a day later.
—Phil Villeneuve
Ah, Bollywood. While Canada's film industry is content on focusing on weird sex and snowshoes, India is constantly churning out epic productions that contain more song and dance numbers than an evening on Broadway. Whatever works, we say.
In keeping with the Bollywood success story, a 26-city Bollywood “musical extravaganza” will touch down in Toronto next summer. On hand to preview The Unforgettable Tour were India’s first couple of showbiz, Aishwarya and Abhishek Bachchan. Though there is no set date or venue, more than 100 reporters and others packed the Imperial Room at the Royal York for yesterday’s spectacle.
The Post’s Mark Medley reports with his Toronto timeline:
9:21 a.m. I spy a lavish breakfast spread; grab a croissant and pineapple.
9:40 Flipping through a copy of yesterday’s National Post, I read the review of Aishwarya Bachchan’s new movie, The Last Legion. Reviewer Jay Stone calls it a “boldly dopey epic.” Not a good omen.
10:07 For some strange reason, the press is treated to a video about the International Indian Film Academy Awards. Jean-Claude Van Damme makes a cameo.
10:20 There’s a flurry of activity. Teenage screams erupt from the lobby. Dozens of camera flashes illuminate the room. It’s Dalton McGuinty! Oh, and Aishwarya and her husband, Abhishek. She’s dressed all in black, and glides through the media horde on her husband’s arm.
10:28 Dalton McGuinty: “We like to think of ourselves as Bollywood West.” He also asks for a role in a Bollywood movie.
10:30 They screen a movie about the tour’s promoter, Wizcraft International, which sounds like a construction company run by wizards.
10:38 Viraf Sarkari, director of Wizcraft — he is a kind of Gandalf, I guess — says The Unforgettable Tour will be “the biggest tour ever.” He then presents yet another movie, this time showcasing various Bollywood stars.
10:40 Aishwarya takes the podium and spouts platitudes for about 30 seconds, then turns the microphone over to her husband.
10:42 Abhishek promises the tour will raise awareness for a worthwhile cause. I just bet it’s global warming. And it is! He also reveals they hope to premiere the tour in Toronto. Oh, Abhishek, you flirt, I bet you tell every city that. Let the hyperbole commence.
10:46 Abhishek: “We promise something very big.”
10:48 Viraf: “We are going to be the best show ever!” Not bad.
10:49 Moe Jiwan, director of Ethnic Guru: “Probably the biggest show to hit the Earth!” We have a winner.
11:01 During the question and answer period, a “journalist” gushes on and on about how she once met Abhishek at the film festival and how she feels she’s come “full circle” because she’s speaking to him today. Who are these people?
11:14 A beauty pageant contestant asks Aishwarya (who was Miss World in 1994) for advice. They told me you needed media accreditation to get in.
This is an excerpt from the Re-Release of this classic Lesbian Love Story, Desert Hearts! It is from the DVD Extra, "Anatomy of a Love Scene". and is sooooo hot! Get the new release with never before seen footage from the Vintage Collection at Wolfe Video. www.wolfevideo.com.
Apparently one of Uma Thurman's secret powers is the ability to bounce her boyfriend's (Luke Wilson) head off the headboard.
Video clip of paris hilton doing a topless interview / audition... no sex in this video
A comedy about life at the top, as seen from the bottom. Based on the bestselling novel by Emma McLaughlin and Nicola Kraus, THE NANNY DIARIES stars Scarlett Johansson, Laura Linney and Alicia Keyes and comes from the award winning filmmakers Ro ... [more]
A comedy about life at the top, as seen from the bottom. Based on the bestselling novel by Emma McLaughlin and Nicola Kraus, THE NANNY DIARIES stars Scarlett Johansson, Laura Linney and Alicia Keyes and comes from the award winning filmmakers Robert Pulcini and Shari Berman.Men – College Humor has a contest going on. The site says they are searching for America's Hottest College Girl. 64 girls from various colleges are going at it head to head until one is left....in March. A different kind of March Madness, if you will.
Geeta Basra who made her debut with Emraan Hashmi in Dil Diya Hai shares her experience of working with the 'serial-kisser' yet again in Train. HTTabloid catches the lady in a candid mood.
Is it true that while shooting for the promos of Train you refused to do some hot scenes?
I can't expose unreasonably. I did what I feel was the requirement of the story. But my director wanted me do some more hot scenes for the promo, which I refused, because that was getting too much. The director insisted which resulted in little argument. I told her that I can't cross my limits. If she feels that I am unprofessional, let her feel so but I can't do something that makes me uncomfortable.
Did you face any problem in doing kiss scenes in the film?
No, I am as comfortable giving a kiss shot as any other actress. I don't have any reservations at all. Whether it's Emraan or anybody else, if the film requires a kiss scene, I will go for it.
But it was said that you refused to allow Emraan Hashmi to kiss you Dil Diya Hai?
The film had no such scene. In fact the requirement of the scrip was different. I never said that I won't do kissing scene with him.
Actresses feel apprehensive owing to Emraan's serial kisser image. Were you also scared before doing Dil Diya Hai?
No. I was not scared at all. Since, I had not met him ever, so there was a little concern about who I was going to work with. But when I worked with him I realized that he is a genuine and very professional person. I share very good rapport with him.
Your screen character in Train falls in love with a married person. Has it happened with you in real life?
No, neither I have never fallen in love with a married man nor have I any plans in the future.
watch this video.....
Album: Awarapan
Singers: Mustafa Zahid,
Lyrics: Sayed Quadri, Mustafa Zahid, Annie, Rafaqat Ali Khan
Music Director: Pritam Chakraborty
Rating: ***
After the successful inspiration lift of Najam Sheraz's "Mainu Tere Naal" into heart-throbbing "Bheege Honth Tere" (Murder), there seems to be cloudburst of singing talents from the land of Pakistan. Barring the exception of Shafaqat Ali Khan ("Mitwa" in Kabhi Alvida Na Kehna) and "Strings" ("Yeh Hai Meri Kahaani" in Zinda), there has been uninterrupted downpour of Pak rock brigade from esteemed Bhatt camp in the form of Ali Azmat (Paap), Atif Aslam (Zeher), Rahat Fateh Ali Khan (Kalyug), Glenn John (Woh Lamhe) and Jawed Sheikh (Woh Lamhe) into Mumbai filmdom. Awarapan, the thrilling love saga from Bhatt camp proves to be biggest launch of Pak rock brigade as their hot "n" happening talents Mustafa Zahid (lead vocalist of "Roxen -the band"), Annie and Rafaqat Ali Khan makes vows of great musical resilience with their chartbusting tracks. Pritam, the upbeat styled composer re-arranges their smash-hit compositions ("Toh Phir Aao" and "Mahiya") and refurbishes them to perfection. Besides these rehashed blistering soundtracks, there is generous dosage of divinity in the form of traditional Sufi work ("Maula Mere Maula").
After smooth and sauntering Atif Aslam and his rock band "Jal", its sonorously paced Mustafa Zahid with his trendy rock contingent "Roxen-the band" making vows of irrepressible love in their worldwide hit soundtrack "Toh Phir Aao" (album -"Rozen-e-Deewar"). Pritam's rearranged "lounge" version makes first dent as the tranquilly pitched arrangements sets an aura of serenity that transcends gently with Mustafa's delectable voice. The haunting "lounge" impact is meticulously pulverized into contemporary soft rock ballad with impressive concoction of electric, rhythm and bass guitars in the backdrop. "Toh Phir Aao" makes theatrical appeal in its purest form as it minuses the recurring "lounge" impact but impresses to hilt in almost "unplugged" original version. It has booming back up vocals (Haider Halim) along with slow pitched drumming matched flawlessly with enthused guitar strumming (Jawed and Omar Halim) in delivering an amiable picturesque of excruciatingly expressive soundtrack. It boomed to substantial heights in their native land and much can be anticipated from Pritam's impressive rearranged works. "Toh Phir Aao (remix)", the reverberatingly pitched disco number electrifies senses as party animal's special track and well is counted high for it's visually spectacle decorum for a glossy promotional video track. Like "Woh Lamhe (remix)" (Zeher), this DJ Suketu's special is emblematically resounding where ear-splitting DJ beats and claps makes effective thumping that materializes well with thriving vocals.
"Tera Mera Rishta" comes out as original composition from rock band "Roxen-the band", a sentimental rock ballad with a strong musical backdrop of Southeast Asian music. This song about eternal bonding has peculiar auto-phonic musical base with ethnically matched sensual feminine "alaaps", exhibiting a situational mushy feel. The serpentine flowing flute notes along with quivering synthesizer notes sets an impressive prelude to the song. Mustafa's echoing vocals are skillfully submersed into this uncharacteristic style of arrangements where contemporary rock ethics strikes amiable equilibrium. DJ Suketu creates a pandemonium of frenzied events with contemporary "club" mix style rendition in racy and hip-shaking "Tera Mera Rishta (remix)". Like "Toh Phir Aao (remix)", it falls into cadre of promotional videos where flashy costumes, lavish set-ups and eye candy stars will be spotlighting the euphoric decorum of the film.
Pakistani "Spice girl" Annie scintillates as the first pop femme fatale from cross-border with her heart throbbing hit "Mahiya" (Album - "Princess"), an enchanting disco track refurbished through the silken "n" sensuous vocals of Suzanne D'Mello. Pritam's rearranged version is comparatively shriller and jarring from Annie's original version but reminisces the golden era of Nazia Hassan. The number sizzles out as bi-lingual offering as it cocktails the blend of roaring English lyrics (Asif Ali Beg) with frantic Hindi lyrics (Sayed Quadri) through its enthused rendition. "Mahiya (remix)" comes out as effervescently trendy disco number in Annie's vocal rendition with heaps of hip-shaking disco beats fillers and booming synthesizer notes. DJ Suketu's rip-roaring DJ claps; scratches and thumps collide effectively with racy paced musical backdrop in creating a havoc of emotions. This blazing musical offering is presumed to be ground-breaking in its cadre as the number proved to be globe-trotting hit and promises to be eye candy with its lustrous visual binge. If Bhatt's gambit of pitching female vocal talents succeeds as it did in male talents then the listeners can hear talents like Fariha Parvez, Abida Parveen, Farah Hassan and Shabnam Majeed in future.
Divinity strikes the final blow as the pious feel of "spiritualism" is ushered through the traditional Sufi works of twelfth century poet Baba Farid in sensitively delivered "Maula Mere Maula". Rafaqat Ali Khan, the last among Pakistani talents renders this spiritual number in a classical vocal mode with finesse of unadulterated classical instrumental work. It has classy appeal and acceptance as it flourishes in ethnic Sufi work where beats and rhythms from conventional instruments like "harmonium", "sarangi", "tabla", "sitar" strikes a fine "jugalbandi" with electric guitar strumming. Rafaqat's vocal finesse can be sorted in the genre of Rahat Fateh Ali Khan for its flawless classical textures.
Awarapan proves to be launching pad for unexplored Pakistani pop talents as it delivers an assorted collection of their hot "n" happening upbeat tracks in a rearranged musical mode. Mustafa Zahid's stylish "Toh Phir Aao" (all versions) and Annie's voguish "Mahiya" are expected to be chartbusters in coming weeks while "Tera Mera Rishta" and "Maula Mere Maula" impresses for their strong melodramatic appeal. It would have been better if Mustafa's most saleable tracks like "Yaadein", "Aaj" or "Sapney" would have been given a boost in the album. Pritam adds one more feather in his cap and this time as a competent re-arranger than a composer.